
There was nice consistency of design throughout this issue. The cover looked good and you did a great job on the redesign of the Contents page: It is nice to see you taking the care and time for the pages that many people overlook. I liked that you tried to be creative with the graphics for the autism story, but a needle pointed at a brain made me think of a lobotomy. and I don't think that's what you aimed for. Nice use of color and layout of the sports spread. But pages 8 an 9 were too gray and the forum pages are still too gray.
I'd like to see you being even more creative with the layout of the text -- imagine the text of the Brook Adams story in the shape of a ukulele or against a ukulele backscreen. Also, when writing about music find the relevant Website for your readers so they can sample the music.

Just as a story about music needs to link to music, the story about a mural needed art of the mural. Don't wait till the last minute to contact your photo editor. If your story has a visual element to it, get a photo of it. The story about Brothers United also needed art.
Writing
Great story on the HSU Children's Center. While the headline was dull, it looked nice. Nice photo. Good information, nice organization, good sourcing.
But the story on Rollin Richmond took too long to get into and was convoluted.
It begins with this lede:
Last, week the ad hoc committee created a Bill of Particulars, a list of faculty grievances, from the October 18-22 Academic Senate Poll;...But the reader doesn't know what the ad hoc committee is or what poll you refer to. Th

Also convoluted was the story about John Waters and his autism. Was this a story about autism, about a man who overcame autism, or about a man who is trying to publish a book? The reader isn't sure. The problem was that you spent to much time on the details of his attempt to publish a book and that's something that the reader doesn't likely care about. You needed to focus on John Waters as a person and his battle with autism.
Clarity is as important as honesty and accuracy. Don't confuse the reader.
You need to:
Ask yourself: What is this story about. Once you answer that stick to it. If you find tangents, put them in a sidebar or leave them for next week.
1. Focus
2. Slow Down
3. Ground your reader
The Poynter Institute has a great tip sheet on checking for clarity in your second draft.
I think part of the problem with the story on Richmond was that you relied on people like To

Don't let sources bully you with the force of their personality. Because what will happen is that your coverage will skew towards and in favor of the people who are loud and insistent and you will underrepresent those who are quiet. You don't want to give voice to those who already have a voice, you want to give voice to the voiceless.
There were some nice ledes:
There are games to look forward to and then there are games to look forward to.Careful with spelling
People think that individuals with autism are insulated from the rest of the world; often that isn't so. This is not only what John Waters believes, this is what he knows.
Also the story on Option B had a great lede, which is too long to repeat here.
I caught two misspelled words in the intramural story. That was from the story on intramural sports which had at least two misspellings.
Careful with wording
You focus on, not focus from Intramural sports. Also, people don't really rejoice when they cut off their dogs balls. A rowing team is an it not a they.
Careful with sentence structure
The editorial continues to be awkward. Consider this sentence
History and different environments are what the city council feels make Arcata unique.That's terrible! First of all, a city council doesn't feel. City councilmembers feel. Second you needed to flip this passive sentence. What's the noun and verb? Instead:
Members of the Arcata City Council believe that the town's history and different environments make it unique.
Fall in love with punctuation.
The colon can be a powerful ally but don't misuse it: You need to capitalize the independent clause that follows it. You made this mistake in the lede to the intramural story and in the editorial. Read Strunk & White's Elements of Style. Or read the online version for free.

Tighten your writing. Toss unnecessary words. The editorial is too long. Readers appreciate short. Think short. Next time you write an editorial kill 200 words without losing any substance.
Kill the widows and orphans
That's the term for any hanging word or words at the end of a paragraph. You want to cut enough words out of your paragraph so that the hanging line disappears. But you want to do that without changing the substance of the paragraph. After you do that to every paragraph, change your margins in Microsoft Word. That will give you more widows and you repeat the exercise. If you do that three times or more, you will find your writing is nice and tight.
1 comment:
I was told by many faculty members that my story was informative and gave a voice to those who feel voiceless within this university. Tom Jones had nothing to do with the comments I received from Stepp or Faulk. I contacted the administration numerous times and they simply told me that they couldn't comment. It wasn't until I told the president of these sources that he actually gave me an interview. Again, my story was split in half numerous times, so it affected the outcome. It made it seem as if I relied on Jones in multiple stories, when in fact, all the quotes came from one story split in three pieces. Again, others might personally think that Faulk and Jones are crazy, but I honestly interviewed them without any pre-concieved perceptions of their personalities or agendas. As much as I regret getting involved in this story, which took up a lot of my time from my other classes, I hope that one day, I can get positive feedback Marcy! I try, I really do. I guess because we can't explain everything over and over again in each story, we decided to do a timeline so that the reader won't be so lost on this up coming issue. I think I'm going to just start focusing more on mother other classes which will determine whether I graduate or not.
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